![]() Most markets young and old will welcome imaginative opportunities for interactivity and participation.Ī Museum that promotes enjoyment and intrigue on the part of the Museum staff will most likely carry over to customers and boost their sense of satisfaction with the total visitor experience. ![]() How this is best done will also relate to how well you know your Museum visitor markets. ![]() Successful Museum curators fully understand and apply this concept. When creating Museum visitor experiences, it pays to tap into all the available human senses like sight, sound, touch, taste and smell (when relevant). His commitment to sharing art with the public and making it available for teaching purposes remains today.The essence of excellent Museum interpretation and exhibit development is creating powerful, intriguing stories – told effectively by visual storytelling. Cantor's initial gift of 89 works by Rodin to Stanford in 1974 became the largest ever gift of sculptures to a university art museum. ![]() Gerald Cantor (1916–1996), the American financier and philanthropist. The Thinker is a critical piece in the Cantor Arts Center's impressive collection of Rodin works, assembled thanks to the close working relationship and friendship between Albert Elsen (1927–1995), the Stanford University curator, professor, and Rodin scholar, and B. Of The Thinker 's evocative emotion of being lost deep in thought, Rodin explained, "What makes my Thinker think is that he thinks not only with his brain, with his knitted brow, his distended nostrils and compressed lips, but with every muscle of his arms, back, and legs, with his clenched fist and gripping toes." The scale and detail of this piece took nearly 40 years to complete, and is recognized today as one of the most iconic works of modern art. The name The Thinker is credited to foundry workers who felt the sculpture bore a notable resemblance to Michelangelo's sculpture of Lorenzo de Medici called Il Penseroso. Over time, Dante evolved into The Thinker, a freestanding work honoring the power of the human intellect. This sculpture began as a symbolic depiction of Italian author Dante Alighieri and was originally named The Poet. Perhaps one of the best-known works of Auguste Rodin, The Thinker, was one of the first figures that Rodin conceived for the 1880 commission The Gates of Hell. The Cantor Arts Center proudly possesses one of the largest groups of bronze sculptures by Auguste Rodin (France, 1840–1917) in an American museum, numbering almost 200 objects of both monumental and intimate scale. The grand Victorian mourning cabinet, the heart of Dion’s work, demonstrates how one teenage boy’s death resulted not in the creation of the nation’s largest museum but in a museum where love, grief, and mourning are forever entwined, The Melancholy Museum. The furniture, photographs, Native American objects, menus, and other artifacts of material life at the turn of the twentieth century that comprise the artwork show how the family upgraded its business interests to politics, the railroad, and a horse farm, and how those interests were enabled by land previously inhabited by the Ohlone people and the labor of Chinese and other immigrants. Through objects alone, Dion’s installation tells the story of how one family’s rush West to sell hardware to prospectors resulted in the accumulation of vast wealth and power. When the latter was built, its grandeur and scale were rivaled only by its East Coast contemporaries-the Metropolitan Museum of Art in New York, Boston’s Museum of Fine Arts, and the Philadelphia Museum of Art. In the wake of Leland Stanford Jr.’s death at fifteen years-old, his parents founded both Leland Stanford Junior University and the Leland Stanford Junior Museum.
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